Dear Students In This Article We Have Discussed _________Sonnet 73 Questions And Answers WBCHSE
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Sonnet 73 by William Shakespeare Question Answer | Class 12 | 4th Semester | WBCHSE â āĻāĻāĻžāĻĻāĻļ-āĻĻā§āĻŦāĻžāĻĻāĻļ āϏā§āϤāϰā§āϰ English āĻĒāĻžāĻ ā§āϝāĻā§āϰāĻŽā§ William Shakespeare-āĻāϰ āĻ āύā§āϝāϤāĻŽ āĻā§āϰā§āϤā§āĻŦāĻĒā§āϰā§āĻŖ SonnetāĨ¤ Sonnet 73 by William Shakespeare Question Answer 2 Marks [Short Type Question Answer] āĻļāĻŋāĻā§āώāĻžāϰā§āĻĨā§āĻĻā§āϰ āϏāĻāĻā§āώāĻŋāĻĒā§āϤ āĻĒā§āϰāĻļā§āύā§āϰ āĻĒā§āϰāϏā§āϤā§āϤāĻŋāϤ⧠āϏāĻžāĻšāĻžāϝā§āϝ āĻāϰāĻŦā§āĨ¤ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ That time of year Sonnet no 73 â William Shakespeare long question answer / Class 12 english suggestion semester 4 / WBCHSE āĻ āύā§āϏāϰāĻŖ āĻāϰ⧠āĻĻā§āϰā§āĻ āĻĒā§āϰāĻļā§āύā§āϰ āĻāϤā§āϤāϰ āĻĒā§āϰāϏā§āϤā§āϤ āĻāϰāĻž āϝāĻžāϝāĻŧāĨ¤ Sonnet 73 Questions and Answers | Class 12 4th semester English āĻāĻŦāĻ That Time of YearâĻ Sonnet 73 â Questions and Answers (S.A.Q.), Class 12, Semester IV, WBCHSE-āĻāϰ āĻŽāĻžāϧā§āϝāĻŽā§ āĻāĻŦāĻŋāϤāĻžāϰ āĻā§āϰā§āϤā§āĻŦāĻĒā§āϰā§āĻŖ āĻĒā§āϰāĻļā§āύ āĻ āĻāϤā§āϤāϰ āϏāĻšāĻā§ āĻ āύā§āĻļā§āϞāύ āĻāϰāĻž āϏāĻŽā§āĻāĻŦāĨ¤ āĻāĻāĻžāĻĄāĻŧāĻž Sonnet 73 2 marks questions and answers pdf free download, Sonnet 73 Questions and Answers Class 12 pdf, Sonnet 73 2 marks questions and answers pdf class 10 āĻāĻŦāĻ Sonnet 73 questions and answers semester 4 āĻā§āĻāĻāĻā§āύ āĻāĻŽāύ āĻļāĻŋāĻā§āώāĻžāϰā§āĻĨā§āĻĻā§āϰ āĻāύā§āϝāĻ āĻāĻ āĻāϞā§āĻāύāĻž āϏāĻšāĻžāϝāĻŧāĻ āĻšāĻŦā§āĨ¤
Semester â IV (Verse)||Sonnet 73||William Shakespeare
1. What does Shakespeare mean by âThat time of yearâ? What does it stand for?
āĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ āĻļā§āĻāϏāĻĒāĻŋāϝāĻŧāϰ āĻŽāĻŋāύ āĻŦāĻžāĻ âāĻĻā§āϝāĻžāĻ āĻāĻžāĻāĻŽ āĻ
āĻ āĻāϝāĻŧāĻžāϰâ? āĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ āĻāĻ āϏā§āĻā§āϝāĻžāύā§āĻĄ āĻĢāϰ?
âāĻĻā§āϝāĻžāĻ āĻāĻžāĻāĻŽ āĻ
āĻ āĻāϝāĻŧāĻžāϰâ āĻŦāϞāϤ⧠āĻļā§āĻāϏāĻĒāĻŋāϝāĻŧāϰ āĻŦāĻāϰā§āϰ āĻļā§āώ āĻļāϰ⧠āĻŦāĻž āĻļā§āϤā§āϰ āĻļā§āϰā§āϰ āϏāĻŽāϝāĻŧāĻā§ āĻŦā§āĻāĻžāύāĨ¤ āĻāĻāĻŋ āĻŽāĻžāύā§āώā§āϰ āĻā§āĻŦāύā§āϰ āĻļā§āώ āĻĒāϰā§āϝāĻžāϝāĻŧāĻā§ āĻŦā§āĻāĻžāϝāĻŧ, āĻ
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Ans. By âThat time of year,â Shakespeare refers to the late autumn or early winter of the year. It stands for the later stage of a personâs life, symbolizing old age and the approach of death.
āĻŦāĻžāĻ âāĻĻā§āϝāĻžāĻ āĻāĻžāĻāĻŽ āĻ
āĻ āĻāϝāĻŧāĻžāϰ,â āĻļā§āĻāϏāĻĒāĻŋāϝāĻŧāϰ āϰāĻŋāĻĢāĻžāϰā§āϏ āĻā§ āĻĻā§āϝ āϞā§āĻ āĻ
āĻāĻžāĻŽ āĻ
āϰ āĻāϰā§āϞāĻŋ āĻāĻāύā§āĻāĻžāϰ āĻ
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āĻ āĻ āĻĒāĻžāϰā§āϏāύâāϏ āϞāĻžāĻāĻĢ, āϏāĻŋāĻŽā§āĻŦāϞāĻžāĻāĻāĻŋāĻ āĻāϞā§āĻĄ āĻāĻāĻ āĻ
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2. Who is addressed to in Sonnet 73?
āĻšā§ āĻāĻ āĻ
ā§āϝāĻžāĻĄā§āϰā§āϏāĻĄ āĻā§ āĻāύ āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋ?
Ans. The sonnet is addressed to the beloved, likely the âFair Youthâ from Shakespeareâs other sonnets, whose identity remains debated among scholars.
āĻĻā§āϝ āϏāύā§āĻ āĻāĻ āĻ
ā§āϝāĻžāĻĄā§āϰā§āϏāĻĄ āĻā§ āĻĻā§āϝ āĻŦāĻŋāϞāĻžāĻāĻĄ, āϞāĻžāĻāĻā§āϞāĻŋ āĻĻā§āϝ âāĻĢā§āϝāĻŧāĻžāϰ āĻāϝāĻŧā§āĻĨâ āĻĢā§āϰāĻŽ āĻļā§āĻāϏāĻĒāĻŋāϝāĻŧāϰâāϏ āĻāĻĻāĻžāϰ āϏāύā§āĻāϏ, āĻšā§āĻ āĻāĻāĻĄā§āύā§āĻāĻŋāĻāĻŋ āϰāĻŋāĻŽā§āĻāύā§āϏ āĻĄāĻŋāĻŦā§āĻā§āĻĄ āĻ
ā§āϝāĻžāĻŽāĻžāĻ āϏā§āĻāϞāĻžāϰā§āϏāĨ¤
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3. âThat time of year thou mayst in me beholdâ â Who says this and to whom?
âāĻĻā§āϝāĻžāĻ āĻāĻžāĻāĻŽ āĻ
āĻ āĻāϝāĻŧāĻžāϰ āĻĻāĻžāĻ āĻŽā§āϏā§āĻ āĻāύ āĻŽāĻŋ āĻŦāĻŋāĻšā§āϞā§āĻĄââāĻšā§ āϏā§āĻ āĻĻāĻŋāϏ āĻ
ā§āϝāĻžāύā§āĻĄ āĻā§ āĻšā§āĻŽ?
Ans. The poet, William Shakespeare, says this to his young friend, the Fair Youth, inviting him to see old age and impending death reflected in him.
āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻ, āĻāĻāϞāĻŋāϝāĻŧāĻžāĻŽ āĻļā§āĻāϏāĻĒāĻŋāϝāĻŧāϰ, āϏā§āĻ āĻĻāĻŋāϏ āĻā§ āĻšāĻŋāĻ āĻāϝāĻŧāĻžāĻ āĻĢā§āϰā§āύā§āĻĄ, āĻĻā§āϝ āĻĢā§āϝāĻŧāĻžāϰ āĻāϝāĻŧā§āĻĨ, āĻāύāĻāĻžāĻāĻāĻŋāĻ āĻšāĻŋāĻŽ āĻā§ āϏāĻŋ āĻāϞā§āĻĄ āĻāĻāĻ āĻ
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4. âWhen yellow leaves, or none, or few, do hangâ â What do the yellow leaves symbolize in this line? [Textbook Question]
âāĻšā§āϝāĻŧā§āύ āĻāϝāĻŧā§āϞ⧠āϞāĻŋāĻāϏ, āĻ
āϰ āύāĻžāύ, āĻ
āϰ āĻĢāĻŋāĻ, āĻĄā§ āĻšā§āϝāĻžāĻââāĻšā§āϝāĻŧāĻžāĻ āĻĄā§ āĻĻā§āϝ āĻāϝāĻŧā§āϞ⧠āϞāĻŋāĻāϏ āϏāĻŋāĻŽā§āĻŦā§āϞāĻžāĻāĻ āĻāύ āĻĻāĻŋāϏ āϞāĻžāĻāύ?
Ans. The leaves turn yellow in late autumn before falling down finally. In this line, yellow leaves are mentioned as a symbol of aging and the impending death.
āĻĻā§āϝ āϞāĻŋāĻāϏ āĻāĻžāϰā§āύ āĻāϝāĻŧā§āϞ⧠āĻāύ āϞā§āĻ āĻ
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5. What shakes against the cold in Sonnet 73?
āĻšā§āϝāĻŧāĻžāĻ āĻļā§āĻāϏ āĻ
ā§āϝāĻžāĻā§āĻāύāϏā§āĻ āĻĻā§āϝ āĻā§āϞā§āĻĄ āĻāύ āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋ?
Ans. The boughs (tree branches) shake against the cold, symbolizing the speakerâs weak and aging body shivering due to the approach of old age.
āĻĻā§āϝ āĻŦāĻžāĻāĻ (āĻā§āϰāĻŋ āĻŦā§āϰāĻžāĻā§āĻā§āϏ) āĻļā§āĻ āĻ
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6. âUpon those boughs which shake against the coldâ â What do boughs represent?
âāĻāĻĒāύ āĻĻā§āĻ āĻŦāĻžāĻāĻ āĻšā§āĻāĻ āĻļā§āĻ āĻ
ā§āϝāĻžāĻā§āĻāύāϏā§āĻ āĻĻā§āϝ āĻā§āϞā§āĻĄââāĻšā§āϝāĻŧāĻžāĻ āĻĄā§ āĻŦāĻžāĻāĻ āϰāĻŋāĻĒā§āϰā§āĻā§āύā§āĻ?
Ans. The boughs represent the old and weakened body of the speaker, showing how he trembles with age and the nearness of death.
āĻĻā§āϝ āĻŦāĻžāĻāĻ āϰāĻŋāĻĒā§āϰā§āĻā§āύā§āĻ āĻĻā§āϝ āĻāϞā§āĻĄ āĻ
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āĻĄāĻžāϞāĻā§āϞāĻŋ āĻŦāĻā§āϤāĻžāϰ āĻŦā§āĻĻā§āϧ āĻ āĻĻā§āϰā§āĻŦāϞ āĻļāϰā§āϰāĻā§ āĻŦā§āĻāĻžāϝāĻŧāĨ¤ āĻāϰ āĻŽāĻžāϧā§āϝāĻŽā§ āĻŦāĻžāϰā§āϧāĻā§āϝ āĻāĻŦāĻ āĻŽā§āϤā§āϝā§āϰ āύā§āĻāĻā§āϝ⧠āϤāĻžāĻāϰ āĻāĻžāĻāĻĒāϤ⧠āĻĨāĻžāĻāĻž āĻ
āĻŦāϏā§āĻĨāĻžāĻā§ āĻĒā§āϰāĻāĻžāĻļ āĻāϰāĻž āĻšāϝāĻŧā§āĻā§āĨ¤
7. âUpon those boughs which shake against the coldâ â What does the word âcoldâ suggest?
âāĻāĻĒāύ āĻĻā§āĻ āĻŦāĻžāĻāĻ āĻšā§āĻāĻ āĻļā§āĻ āĻ
ā§āϝāĻžāĻā§āĻāύāϏā§āĻ āĻĻā§āϝ āĻā§āϞā§āĻĄââāĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ āĻĻā§āϝ āĻāϝāĻŧāĻžāϰā§āĻĄ âāĻā§āϞā§āĻĄâ āϏāĻžāĻā§āϏā§āĻ?
Ans. The word âcoldâ suggests the nearness of death, lack of passion or life force, ageing and decay, and isolation and loneliness.
āĻĻā§āϝ āĻāϝāĻŧāĻžāϰā§āĻĄ âāĻā§āϞā§āĻĄâ āϏāĻžāĻā§āϏā§āĻāϏ āĻĻā§āϝ āύāĻŋāϝāĻŧāĻžāϰāύā§āϏ āĻ
āĻ āĻĄā§āĻĨ, āϞā§āϝāĻžāĻ āĻ
āĻ āĻĒā§āϝāĻžāĻļāύ āĻ
āϰ āϞāĻžāĻāĻĢ āĻĢā§āϰā§āϏ, āĻāĻāĻŋāĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĄāĻŋāĻā§, āĻ
ā§āϝāĻžāύā§āĻĄ āĻāĻāϏā§āϞā§āĻļāύ āĻ
ā§āϝāĻžāύā§āĻĄ āϞā§āύāϞāĻŋāύā§āϏāĨ¤
âāĻā§āϞā§āĻĄâ āĻļāĻŦā§āĻĻāĻāĻŋ āĻŽā§āϤā§āϝā§āϰ āύā§āĻāĻā§āϝ, āĻĒā§āϰāĻžāĻŖāĻļāĻā§āϤāĻŋ āĻ āĻāĻŦā§āĻā§āϰ āĻ
āĻāĻžāĻŦ, āĻŦāĻžāϰā§āϧāĻā§āϝ āĻ āĻā§āώāϝāĻŧ āĻāĻŦāĻ āĻāĻāĻžāĻāĻŋāϤā§āĻŦāĻā§ āĻŦā§āĻāĻžāϝāĻŧāĨ¤
8. âBare ruined choirs where late the sweet birds sangâ â What does the expression âbare ruinâd choirsâ suggest?
âāĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏ āĻšā§āϝāĻŧā§āϝāĻžāϰ āϞā§āĻ āĻĻā§āϝ āϏā§āĻāĻ āĻŦāĻžāϰā§āĻĄāϏ āϏā§āϝāĻžāĻââāĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ āĻĻā§āϝ āĻāĻā§āϏāĻĒā§āϰā§āĻļāύ âāĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏâ āϏāĻžāĻā§āϏā§āĻ?
Ans. The expression âbare ruinâd choirsâ suggests empty, leafless branches that once were full of life and song, symbolizing the loss of youth, vitality, and joy in the speakerâs old age.
āĻĻā§āϝ āĻāĻā§āϏāĻĒā§āϰā§āĻļāύ âāĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏâ āϏāĻžāĻā§āϏā§āĻāϏ āĻāĻŽā§āĻĒāĻāĻŋ, āϞāĻŋāĻĢāϞā§āϏ āĻŦā§āϰāĻžāĻā§āĻā§āϏ āĻĻā§āϝāĻžāĻ āĻāϝāĻŧāĻžāύā§āϏ āĻāϝāĻŧā§āϝāĻžāϰ āĻĢā§āϞ āĻ
āĻ āϞāĻžāĻāĻĢ āĻ
ā§āϝāĻžāύā§āĻĄ āϏāĻ, āϏāĻŋāĻŽā§āĻŦāϞāĻžāĻāĻāĻŋāĻ āĻĻā§āϝ āϞāϏ āĻ
āĻ āĻāϝāĻŧā§āĻĨ, āĻāĻžāĻāĻāĻžāϞāĻŋāĻāĻŋ, āĻ
ā§āϝāĻžāύā§āĻĄ āĻāϝāĻŧ āĻāύ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āĻāϞā§āĻĄ āĻāĻāĻāĨ¤
âāĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏâ āĻŦāϞāϤ⧠āĻāĻŽāύ āĻļā§āύā§āϝ, āĻĒāĻžāϤāĻžāĻšā§āύ āĻĄāĻžāϞāĻā§ āĻŦā§āĻāĻžāϝāĻŧ, āϝā§āĻāĻžāύ⧠āĻāĻāϏāĻŽāϝāĻŧ āĻĒāĻžāĻāĻŋāϰāĻž āĻāĻžāύ āĻāĻžāĻāϤāĨ¤ āĻāĻāĻŋ āĻŦāĻā§āϤāĻžāϰ āĻŦāĻžāϰā§āϧāĻā§āϝ⧠āϝā§āĻŦāύ, āĻĒā§āϰāĻžāĻŖāĻļāĻā§āϤāĻŋ āĻ āĻāύāύā§āĻĻ āĻšāĻžāϰāĻŋāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻžāϰ āĻĒā§āϰāϤā§āĻāĨ¤
9. âBare ruined choirs where late the sweet birds sangâ â what does the expression âbare ruinâd choirsâ suggest? Or, What does the image of âbare ruined choirsâ signify in the poem?
âāĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏ āĻšā§āϝāĻŧā§āϝāĻžāϰ āϞā§āĻ āĻĻā§āϝ āϏā§āĻāĻ āĻŦāĻžāϰā§āĻĄāϏ āϏā§āϝāĻžāĻââāĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ āĻĻā§āϝ āĻāĻā§āϏāĻĒā§āϰā§āĻļāύ âāĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏâ āϏāĻžāĻā§āϏā§āĻ? āĻ
āϰ, āĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ āĻĻā§āϝ āĻāĻŽā§āĻ āĻ
āĻ âāĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏâ āϏāĻŋāĻāύāĻŋāĻĢāĻžāĻ āĻāύ āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻŽ?
Ans. The âbare ruined choirsâ signify the speakerâs lost voice, youth, beauty, and vitality â now empty and silent.
āĻĻā§āϝ âāĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏâ āϏāĻŋāĻāύāĻŋāĻĢāĻžāĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āϞāϏā§āĻ āĻāϝāĻŧā§āϏ, āĻāϝāĻŧā§āĻĨ, āĻŦāĻŋāĻāĻāĻŋ, āĻ
ā§āϝāĻžāύā§āĻĄ āĻāĻžāĻāĻāĻžāϞāĻŋāĻāĻŋâāύāĻžāĻ āĻāĻŽā§āĻĒāĻāĻŋ āĻ
ā§āϝāĻžāύā§āĻĄ āϏāĻžāĻāϞā§āύā§āĻāĨ¤
âāĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏâ āĻŦāĻā§āϤāĻžāϰ āĻšāĻžāϰāĻŋāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻž āĻāĻŖā§āĻ , āϝā§āĻŦāύ, āϏā§āύā§āĻĻāϰā§āϝ āĻ āĻĒā§āϰāĻžāĻŖāĻļāĻā§āϤāĻŋāĻā§ āĻŦā§āĻāĻžāϝāĻŧāĨ¤ āĻāĻāύ āϏā§āĻā§āϞāĻŋ āĻļā§āύā§āϝ āĻ āύā§āϰāĻŦ āĻšāϝāĻŧā§ āĻā§āĻā§āĨ¤
10. âBare ruined choirs where late the sweet birds sangâ â What is the implication of the word âsangâ?
âāĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏ āĻšā§āϝāĻŧā§āϝāĻžāϰ āϞā§āĻ āĻĻā§āϝ āϏā§āĻāĻ āĻŦāĻžāϰā§āĻĄāϏ āϏā§āϝāĻžāĻââāĻšā§āϝāĻŧāĻžāĻ āĻāĻ āĻĻā§āϝ āĻāĻŽāĻĒā§āϞāĻŋāĻā§āĻļāύ āĻ
āĻ āĻĻā§āϝ āĻāϝāĻŧāĻžāϰā§āĻĄ âāϏā§āϝāĻžāĻâ?
Ans. The word âsangâ implies the joy and vitality of the speakerâs past youth, when life was full of energy, beauty, and happiness, which has now faded away with the coming of old age.
āĻĻā§āϝ āĻāϝāĻŧāĻžāϰā§āĻĄ âāϏā§āϝāĻžāĻâ āĻāĻŽāĻĒā§āϞāĻžāĻāĻ āĻĻā§āϝ āĻāϝāĻŧ āĻ
ā§āϝāĻžāύā§āĻĄ āĻāĻžāĻāĻāĻžāϞāĻŋāĻāĻŋ āĻ
āĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āĻĒāĻžāϏā§āĻ āĻāϝāĻŧā§āĻĨ, āĻšā§āϝāĻŧā§āύ āϞāĻžāĻāĻĢ āĻāϝāĻŧāĻžāĻ āĻĢā§āϞ āĻ
āĻ āĻāύāĻžāϰā§āĻāĻŋ, āĻŦāĻŋāĻāĻāĻŋ, āĻ
ā§āϝāĻžāύā§āĻĄ āĻšā§āϝāĻžāĻĒāĻŋāύā§āϏ, āĻšā§āĻāĻ āĻšā§āϝāĻžāĻ āύāĻžāĻ āĻĢā§āĻĄā§āĻĄ āĻ
ā§āϝāĻžāĻāϝāĻŧā§ āĻāĻāĻĨ āĻĻā§āϝ āĻāĻžāĻŽāĻŋāĻ āĻ
āĻ āĻāϞā§āĻĄ āĻāĻāĻāĨ¤
âāϏā§āϝāĻžāĻâ āĻļāĻŦā§āĻĻāĻāĻŋ āĻŦāĻā§āϤāĻžāϰ āĻ
āϤā§āϤ āϝā§āĻŦāύā§āϰ āĻāύāύā§āĻĻ āĻ āĻĒā§āϰāĻžāĻŖāĻļāĻā§āϤāĻŋāĻā§ āĻŦā§āĻāĻžāϝāĻŧāĨ¤ āϤāĻāύ āĻā§āĻŦāύ āĻļāĻā§āϤāĻŋ, āϏā§āύā§āĻĻāϰā§āϝ āĻ āĻāύāύā§āĻĻā§ āĻāϰāĻž āĻāĻŋāϞ, āϝāĻž āĻŦāĻžāϰā§āϧāĻā§āϝā§āϰ āĻāĻāĻŽāύ⧠āĻāĻāύ āĻŽā§āϞāĻžāύ āĻšāϝāĻŧā§ āĻā§āĻā§āĨ¤
11. âIn me thou seest the twilight of such dayâ â What does âtwilightâ suggest here?
âāĻāύ āĻŽāĻŋ āĻĻāĻžāĻ āϏāĻŋāϏā§āĻ āĻĻā§āϝ āĻā§āϝāĻŧāĻžāĻāϞāĻžāĻāĻ āĻ
āĻ āϏāĻžāĻ āĻĄā§ââāĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ âāĻā§āϝāĻŧāĻžāĻāϞāĻžāĻāĻâ āϏāĻžāĻā§āϏā§āĻ āĻšāĻŋāϝāĻŧāĻžāϰ?
Ans. The word âtwilightâ suggests the last stage of life, just as twilight comes before night. It symbolizes the approaching end of the speakerâs life and the fading light of his vitality and youth.
āĻĻā§āϝ āĻāϝāĻŧāĻžāϰā§āĻĄ âāĻā§āϝāĻŧāĻžāĻāϞāĻžāĻāĻâ āϏāĻžāĻā§āϏā§āĻāϏ āĻĻā§āϝ āϞāĻžāϏā§āĻ āϏā§āĻā§āĻ āĻ
āĻ āϞāĻžāĻāĻĢ, āĻāĻžāϏā§āĻ āĻ
ā§āϝāĻžāĻ āĻā§āϝāĻŧāĻžāĻāϞāĻžāĻāĻ āĻāĻžāĻŽāϏ āĻŦāĻŋāĻĢā§āϰ āύāĻžāĻāĻāĨ¤ āĻāĻ āϏāĻŋāĻŽā§āĻŦā§āϞāĻžāĻāĻā§āϏ āĻĻā§āϝ āĻ
ā§āϝāĻžāĻĒā§āϰā§āĻāĻŋāĻ āĻāύā§āĻĄ āĻ
āĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āϞāĻžāĻāĻĢ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĻā§āϝ āĻĢā§āĻĄāĻŋāĻ āϞāĻžāĻāĻ āĻ
āĻ āĻšāĻŋāĻ āĻāĻžāĻāĻāĻžāϞāĻŋāĻāĻŋ āĻ
ā§āϝāĻžāύā§āĻĄ āĻāϝāĻŧā§āĻĨāĨ¤
âāĻā§āϝāĻŧāĻžāĻāϞāĻžāĻāĻâ āĻŦāĻž āĻā§āϧā§āϞāĻŋ āĻā§āĻŦāύā§āϰ āĻļā§āώ āĻĒāϰā§āϝāĻžāϝāĻŧāĻā§ āĻŦā§āĻāĻžāϝāĻŧāĨ¤ āϝā§āĻŽāύ āϰāĻžāϤā§āϰ āĻāĻā§ āĻā§āϧā§āϞāĻŋ āĻāϏā§, āϤā§āĻŽāύāĻ āĻāĻāĻŋ āĻŦāĻā§āϤāĻžāϰ āĻā§āĻŦāύā§āϰ āĻļā§āώ āĻāĻŦāĻ āϤāĻžāĻāϰ āϝā§āĻŦāύ āĻ āĻĒā§āϰāĻžāĻŖāĻļāĻā§āϤāĻŋāϰ āĻŽā§āϞāĻžāύ āĻšāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻžāĻā§ āĻŦā§āĻāĻžāϝāĻŧāĨ¤
12. âIn me thou seest the twilight of such dayâ â Explain the metaphor here.
âāĻāύ āĻŽāĻŋ āĻĻāĻžāĻ āϏāĻŋāϏā§āĻ āĻĻā§āϝ āĻā§āϝāĻŧāĻžāĻāϞāĻžāĻāĻ āĻ
āĻ āϏāĻžāĻ āĻĄā§ââāĻāĻā§āϏāĻĒā§āϞā§āύ āĻĻā§āϝ āĻŽā§āĻāĻžāĻĢāϰ āĻšāĻŋāϝāĻŧāĻžāϰāĨ¤
Ans. The metaphor compares life to a day â youth is like morning, old age is like twilight (the speakerâs current stage), and death is like night.
āĻĻā§āϝ āĻŽā§āĻāĻžāĻĢāϰ āĻāĻŽāĻĒā§āϝāĻŧāĻžāϰā§āϏ āϞāĻžāĻāĻĢ āĻā§ āĻ āĻĄā§âāĻāϝāĻŧā§āĻĨ āĻāĻ āϞāĻžāĻāĻ āĻŽāϰā§āύāĻŋāĻ, āĻāϞā§āĻĄ āĻāĻāĻ āĻāĻ āϞāĻžāĻāĻ āĻā§āϝāĻŧāĻžāĻāϞāĻžāĻāĻ (āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āĻāĻžāϰā§āύā§āĻ āϏā§āĻā§āĻ), āĻ
ā§āϝāĻžāύā§āĻĄ āĻĄā§āĻĨ āĻāĻ āϞāĻžāĻāĻ āύāĻžāĻāĻāĨ¤
āĻāĻāĻžāύ⧠āĻā§āĻŦāύāĻā§ āĻāĻāĻāĻŋ āĻĻāĻŋāύā§āϰ āϏāĻā§āĻā§ āϤā§āϞāύāĻž āĻāϰāĻž āĻšāϝāĻŧā§āĻā§āĨ¤ āϝā§āĻŦāύ āĻšāϞ āϏāĻāĻžāϞā§āϰ āĻŽāϤā§, āĻŦāĻžāϰā§āϧāĻā§āϝ āĻšāϞ āĻā§āϧā§āϞāĻŋāϰ āĻŽāϤ⧠āĻāĻŦāĻ āĻŽā§āϤā§āϝ⧠āĻšāϞ āϰāĻžāϤā§āϰ āĻŽāϤā§āĨ¤
13. âAs after sunset fadeth in the westâ â What does âsunsetâ indicate here?
âāĻ
ā§āϝāĻžāĻ āĻāĻĢāĻāĻžāϰ āϏāĻžāύāϏā§āĻ āĻĢā§āĻĄā§āĻĨ āĻāύ āĻĻā§āϝ āĻāϝāĻŧā§āϏā§āĻââāĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ âāϏāĻžāύāϏā§āĻâ āĻāύā§āĻĄāĻŋāĻā§āĻ āĻšāĻŋāϝāĻŧāĻžāϰ?
Ans. The word âsunsetâ indicates the end of life. It symbolizes the decline of the speakerâs strength and vitality, showing that death is near, just as sunset marks the end of the day.
āĻĻā§āϝ āĻāϝāĻŧāĻžāϰā§āĻĄ âāϏāĻžāύāϏā§āĻâ āĻāύā§āĻĄāĻŋāĻā§āĻāϏ āĻĻā§āϝ āĻāύā§āĻĄ āĻ
āĻ āϞāĻžāĻāĻĢāĨ¤ āĻāĻ āϏāĻŋāĻŽā§āĻŦā§āϞāĻžāĻāĻā§āϏ āĻĻā§āϝ āĻĄāĻŋāĻā§āϞāĻžāĻāύ āĻ
āĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āϏā§āĻā§āϰā§āĻāĻĨ āĻ
ā§āϝāĻžāύā§āĻĄ āĻāĻžāĻāĻāĻžāϞāĻŋāĻāĻŋ, āĻļā§āϝāĻŧāĻŋāĻ āĻĻā§āϝāĻžāĻ āĻĄā§āĻĨ āĻāĻ āύāĻŋāϝāĻŧāĻžāϰ, āĻāĻžāϏā§āĻ āĻ
ā§āϝāĻžāĻ āϏāĻžāύāϏā§āĻ āĻŽāĻžāϰā§āĻāϏ āĻĻā§āϝ āĻāύā§āĻĄ āĻ
āĻ āĻĻā§āϝ āĻĄā§āĨ¤
âāϏāĻžāύāϏā§āĻâ āĻā§āĻŦāύā§āϰ āĻļā§āώāĻā§ āĻŦā§āĻāĻžāϝāĻŧāĨ¤ āĻāĻāĻŋ āĻŦāĻā§āϤāĻžāϰ āĻļāĻā§āϤāĻŋ āĻ āĻĒā§āϰāĻžāĻŖāĻļāĻā§āϤāĻŋāϰ āĻĒāϤāύāĻā§ āĻĒā§āϰāĻāĻžāĻļ āĻāϰ⧠āĻāĻŦāĻ āĻŦā§āĻāĻžāϝāĻŧ āϝ⧠āĻŽā§āϤā§āϝ⧠āĻāĻžāĻā§ āĻāϏā§āĻā§āĨ¤
14. âAs after sunset fadeth in the westâ â What does the word âfadethâ suggest?
âāĻ
ā§āϝāĻžāĻ āĻāĻĢāĻāĻžāϰ āϏāĻžāύāϏā§āĻ āĻĢā§āĻĄā§āĻĨ āĻāύ āĻĻā§āϝ āĻāϝāĻŧā§āϏā§āĻââāĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ āĻĻā§āϝ āĻāϝāĻŧāĻžāϰā§āĻĄ âāĻĢā§āĻĄā§āĻĨâ āϏāĻžāĻā§āϏā§āĻ?
Ans. The word âfadethâ suggests the gradual decline of life and energy, showing how the speakerâs vitality is slowly disappearing, just as the light fades after sunset.
āĻĻā§āϝ āĻāϝāĻŧāĻžāϰā§āĻĄ âāĻĢā§āĻĄā§āĻĨâ āϏāĻžāĻā§āϏā§āĻāϏ āĻĻā§āϝ āĻā§āϰā§āϝāĻžāĻā§āϝāĻŧāĻžāϞ āĻĄāĻŋāĻā§āϞāĻžāĻāύ āĻ
āĻ āϞāĻžāĻāĻĢ āĻ
ā§āϝāĻžāύā§āĻĄ āĻāύāĻžāϰā§āĻāĻŋ, āĻļā§āϝāĻŧāĻŋāĻ āĻšāĻžāĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āĻāĻžāĻāĻāĻžāϞāĻŋāĻāĻŋ āĻāĻ āϏā§āϞā§āϞāĻŋ āĻĄāĻŋāϏāĻ
ā§āϝāĻžāĻĒāĻŋāϝāĻŧāĻžāϰāĻŋāĻ, āĻāĻžāϏā§āĻ āĻ
ā§āϝāĻžāĻ āĻĻā§āϝ āϞāĻžāĻāĻ āĻĢā§āĻĄāϏ āĻāĻĢāĻāĻžāϰ āϏāĻžāύāϏā§āĻāĨ¤
âāĻĢā§āĻĄā§āĻĨâ āĻļāĻŦā§āĻĻāĻāĻŋ āĻā§āĻŦāύ āĻ āĻļāĻā§āϤāĻŋāϰ āϧā§āϰ⧠āϧā§āϰ⧠āĻāĻŽā§ āϝāĻžāĻāϝāĻŧāĻžāĻā§ āĻŦā§āĻāĻžāϝāĻŧāĨ¤ āϏā§āϰā§āϝāĻžāϏā§āϤā§āϰ āĻĒāϰ āϝā§āĻŽāύ āĻāϞ⧠āϧā§āϰ⧠āϧā§āϰ⧠āĻŽāĻŋāϞāĻŋāϝāĻŧā§ āϝāĻžāϝāĻŧ, āϤā§āĻŽāύāĻ āĻŦāĻā§āϤāĻžāϰ āĻĒā§āϰāĻžāĻŖāĻļāĻā§āϤāĻŋāĻ āϧā§āϰ⧠āϧā§āϰ⧠āĻļā§āώ āĻšāϝāĻŧā§ āϝāĻžāĻā§āĻā§āĨ¤
15. âWhich by and by black night doth take away,â â What does âblack nightâ refer to in this poem? [Textbook Question]
âāĻšā§āĻāĻ āĻŦāĻžāĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻŦāĻžāĻ āĻŦā§āϞā§āϝāĻžāĻ āύāĻžāĻāĻ āĻĄāĻĨ āĻā§āĻ āĻ
ā§āϝāĻžāĻāϝāĻŧā§ââāĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ âāĻŦā§āϞā§āϝāĻžāĻ āύāĻžāĻāĻâ āϰāĻŋāĻĢāĻžāϰ āĻā§ āĻāύ āĻĻāĻŋāϏ āĻĒā§āϝāĻŧā§āĻŽ?
Ans. In this poem the poet has presented three imageries of aging. The second one among this is the twilight of a day with a sun setting. Metaphorically the black night here refers to death.
āĻāύ āĻĻāĻŋāϏ āĻĒā§āϝāĻŧā§āĻŽ āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻ āĻšā§āϝāĻžāĻ āĻĒā§āϰā§āĻā§āύā§āĻā§āĻĄ āĻĨā§āϰāĻŋ āĻāĻŽā§āĻāĻžāϰāĻŋāĻ āĻ
āĻ āĻāĻāĻŋāĻāĨ¤ āĻĻā§āϝ āϏā§āĻā§āύā§āĻĄ āĻāϝāĻŧāĻžāύ āĻ
ā§āϝāĻžāĻŽāĻžāĻ āĻĻāĻŋāϏ āĻāĻ āĻĻā§āϝ āĻā§āϝāĻŧāĻžāĻāϞāĻžāĻāĻ āĻ
āĻ āĻ āĻĄā§ āĻāĻāĻĨ āĻ āϏāĻžāύ āϏā§āĻāĻŋāĻāĨ¤ āĻŽā§āĻāĻžāĻĢā§āϰāĻŋāĻā§āϝāĻžāϞāĻŋ āĻĻā§āϝ āĻŦā§āϞā§āϝāĻžāĻ āύāĻžāĻāĻ āĻšāĻŋāϝāĻŧāĻžāϰ āϰāĻŋāĻĢāĻžāϰā§āϏ āĻā§ āĻĄā§āĻĨāĨ¤
āĻāĻ āĻāĻŦāĻŋāϤāĻžāϝāĻŧ āĻāĻŦāĻŋ āĻŦāĻžāϰā§āϧāĻā§āϝāĻā§ āĻŦā§āĻāĻžāϤ⧠āϤāĻŋāύāĻāĻŋ āĻāĻŋāϤā§āϰāĻāϞā§āĻĒ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻāϰā§āĻā§āύāĨ¤ āϤāĻžāϰ āĻŽāϧā§āϝ⧠āĻĻā§āĻŦāĻŋāϤā§āϝāĻŧāĻāĻŋ āĻšāϞ āϏā§āϰā§āϝāĻžāϏā§āϤā§āϰ āĻĒāϰ āĻĻāĻŋāύā§āϰ āĻā§āϧā§āϞāĻŋāĨ¤ āϰā§āĻĒāĻ āĻ
āϰā§āĻĨā§ āĻāĻāĻžāύ⧠âāĻāĻžāϞ⧠āϰāĻžāϤâ āĻŽā§āϤā§āϝā§āĻā§ āĻŦā§āĻāĻžāϝāĻŧāĨ¤
16. What does the black night take away and how?
āĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ āĻĻā§āϝ āĻŦā§āϞā§āϝāĻžāĻ āύāĻžāĻāĻ āĻā§āĻ āĻ
ā§āϝāĻžāĻāϝāĻŧā§ āĻ
ā§āϝāĻžāύā§āĻĄ āĻšāĻžāĻ?
Ans. The black night (death) takes away life silently, completely, and irreversibly, like darkness consuming the remaining light.
āĻĻā§āϝ āĻŦā§āϞā§āϝāĻžāĻ āύāĻžāĻāĻ (āĻĄā§āĻĨ) āĻā§āĻāϏ āĻ
ā§āϝāĻžāĻāϝāĻŧā§ āϞāĻžāĻāĻĢ āϏāĻžāĻāϞā§āύā§āĻāϞāĻŋ, āĻāĻŽāĻĒā§āϞāĻŋāĻāϞāĻŋ, āĻ
ā§āϝāĻžāύā§āĻĄ āĻāϰāĻŋāĻāĻžāϰā§āϏāĻŋāĻŦāϞāĻŋ, āϞāĻžāĻāĻ āĻĄāĻžāϰā§āĻāύā§āϏ āĻāύāϏāĻŋāĻāĻŽāĻŋāĻ āĻĻā§āϝ āϰāĻŋāĻŽā§āĻāύāĻŋāĻ āϞāĻžāĻāĻāĨ¤
āĻāĻžāϞ⧠āϰāĻžāϤ āĻŦāĻž āĻŽā§āϤā§āϝ⧠āύā§āϰāĻŦā§, āϏāĻŽā§āĻĒā§āϰā§āĻŖāĻāĻžāĻŦā§ āĻāĻŦāĻ āĻāĻŋāϰāϤāϰ⧠āĻā§āĻŦāύāĻā§ āĻā§āĻĄāĻŧā§ āύā§āϝāĻŧāĨ¤ āϝā§āĻŽāύ āĻ
āύā§āϧāĻāĻžāϰ āĻ
āĻŦāĻļāĻŋāώā§āĻ āĻāϞā§āĻā§ āĻā§āϰāĻžāϏ āĻāϰā§, āϤā§āĻŽāύāĻ āĻŽā§āϤā§āϝ⧠āĻā§āĻŦāύāĻā§ āĻļā§āώ āĻāϰ⧠āĻĻā§āϝāĻŧāĨ¤
17. What is called âDeathâs second selfâ in Sonnet 73?
āĻšā§āϝāĻŧāĻžāĻ āĻāĻ āĻāϞāĻĄ âāĻĄā§āĻĨâāϏ āϏā§āĻā§āύā§āĻĄ āϏā§āϞāĻĢâ āĻāύ āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋ?
Ans. Sleep is called âDeathâs second selfâ, as it is similar to death, bringing rest and darkness like death does.
āϏā§āϞāĻŋāĻĒ āĻāĻ āĻāϞāĻĄ âāĻĄā§āĻĨâāϏ āϏā§āĻā§āύā§āĻĄ āϏā§āϞāĻĢâ, āĻ
ā§āϝāĻžāĻ āĻāĻ āĻāĻ āϏāĻŋāĻŽāĻŋāϞāĻžāϰ āĻā§ āĻĄā§āĻĨ, āĻŦā§āϰāĻŋāĻāĻāĻŋāĻ āϰā§āϏā§āĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĄāĻžāϰā§āĻāύā§āϏ āϞāĻžāĻāĻ āĻĄā§āĻĨ āĻĄāĻžāĻāĨ¤
âāĻĄā§āĻĨâāϏ āϏā§āĻā§āύā§āĻĄ āϏā§āϞāĻĢâ āĻŦāϞāĻž āĻšāϝāĻŧā§āĻā§ āĻā§āĻŽāĻā§āĨ¤ āĻāĻžāϰāĻŖ āĻā§āĻŽ āĻŽā§āϤā§āϝā§āϰ āĻŽāϤ⧠āĻŦāĻŋāĻļā§āϰāĻžāĻŽ āĻ āĻ
āύā§āϧāĻāĻžāϰ āύāĻŋāϝāĻŧā§ āĻāϏā§āĨ¤
18. What season is compared to the speakerâs life stage in Sonnet 73?
āĻšā§āϝāĻŧāĻžāĻ āϏāĻŋāĻāύ āĻāĻ āĻāĻŽāĻĒā§āϝāĻŧāĻžāϰā§āĻĄ āĻā§ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āϞāĻžāĻāĻĢ āϏā§āĻā§āĻ āĻāύ āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋ?
Ans. The autumn season is compared to the speakerâs life stage, symbolizing old age and decline, just before the coming of death.
āĻĻā§āϝ āĻ
āĻāĻžāĻŽ āϏāĻŋāĻāύ āĻāĻ āĻāĻŽāĻĒā§āϝāĻŧāĻžāϰā§āĻĄ āĻā§ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āϞāĻžāĻāĻĢ āϏā§āĻā§āĻ, āϏāĻŋāĻŽā§āĻŦāϞāĻžāĻāĻāĻŋāĻ āĻāϞā§āĻĄ āĻāĻāĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĄāĻŋāĻā§āϞāĻžāĻāύ, āĻāĻžāϏā§āĻ āĻŦāĻŋāĻĢā§āϰ āĻĻā§āϝ āĻāĻžāĻŽāĻŋāĻ āĻ
āĻ āĻĄā§āĻĨāĨ¤
āĻļāϰ⧠āĻāϤā§āĻā§ āĻŦāĻā§āϤāĻžāϰ āĻā§āĻŦāύā§āϰ āĻĒāϰā§āϝāĻžāϝāĻŧā§āϰ āϏāĻā§āĻā§ āϤā§āϞāύāĻž āĻāϰāĻž āĻšāϝāĻŧā§āĻā§āĨ¤ āĻāĻāĻŋ āĻŽā§āϤā§āϝā§āϰ āĻāĻā§āϰ āĻŦāĻžāϰā§āϧāĻā§āϝ āĻ āĻā§āĻŦāύā§āϰ āĻ
āĻŦāύāϤāĻŋāĻā§ āĻĒā§āϰāϤā§āĻā§āĻāĻžāĻŦā§ āĻĒā§āϰāĻāĻžāĻļ āĻāϰā§āĨ¤
Sonnet 73 â Part 19
19. Why is autumn chosen as the season for comparison in Sonnet 73?
āĻšā§āϝāĻŧāĻžāĻ āĻāĻ āĻ
āĻāĻžāĻŽ āĻā§āĻā§āύ āĻ
ā§āϝāĻžāĻ āĻĻā§āϝ āϏāĻŋāĻāύ āĻĢāϰ āĻāĻŽā§āĻĒā§āϝāĻžāϰāĻŋāϏāύ āĻāύ āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋ?
Ans. Autumn is chosen because it symbolizes decline and the approach of an end, just as old age comes before death. The falling leaves and fading light of autumn reflect the speakerâs fading youth and strength.
āĻ
āĻāĻžāĻŽ āĻāĻ āĻā§āĻā§āύ āĻŦāĻŋāĻāĻ āĻāĻ āϏāĻŋāĻŽā§āĻŦā§āϞāĻžāĻāĻā§āϏ āĻĄāĻŋāĻā§āϞāĻžāĻāύ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĻā§āϝ āĻ
ā§āϝāĻžāĻĒā§āϰā§āĻ āĻ
āĻ āĻ
ā§āϝāĻžāύ āĻāύā§āĻĄ, āĻāĻžāϏā§āĻ āĻ
ā§āϝāĻžāĻ āĻāϞā§āĻĄ āĻāĻāĻ āĻāĻžāĻŽāϏ āĻŦāĻŋāĻĢā§āϰ āĻĄā§āĻĨāĨ¤ āĻĻā§āϝ āĻĢāϞāĻŋāĻ āϞāĻŋāĻāϏ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĢā§āĻĄāĻŋāĻ āϞāĻžāĻāĻ āĻ
āĻ āĻ
āĻāĻžāĻŽ āϰāĻŋāĻĢā§āϞā§āĻā§āĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āĻĢā§āĻĄāĻŋāĻ āĻāϝāĻŧā§āĻĨ āĻ
ā§āϝāĻžāύā§āĻĄ āϏā§āĻā§āϰā§āĻāĻĨāĨ¤
āĻļāϰā§āĻā§ āĻŦā§āĻā§ āύā§āĻāϝāĻŧāĻž āĻšāϝāĻŧā§āĻā§, āĻāĻžāϰāĻŖ āĻāĻāĻŋ āĻĒāϤāύ āĻ āĻļā§āώā§āϰ āĻāĻāĻŽāύāĻā§ āĻŦā§āĻāĻžāϝāĻŧāĨ¤ āϝā§āĻŽāύ āĻŦāĻžāϰā§āϧāĻā§āϝā§āϰ āĻĒāϰ⧠āĻŽā§āϤā§āϝ⧠āĻāϏā§, āϤā§āĻŽāύāĻ āĻļāϰāϤā§āϰ āĻāϰ⧠āĻĒāĻĄāĻŧāĻž āĻĒāĻžāϤāĻž āĻ āĻŽā§āϞāĻžāύ āĻāϞ⧠āĻŦāĻā§āϤāĻžāϰ āĻšāĻžāϰāĻŋāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻž āϝā§āĻŦāύ āĻ āĻļāĻā§āϤāĻŋāĻā§ āĻĒā§āϰāϤāĻŋāĻĢāϞāĻŋāϤ āĻāϰā§āĨ¤
20. What âseals up all in restâ?
āĻšā§āϝāĻŧāĻžāĻ âāϏāĻŋāϞāϏ āĻāĻĒ āĻ
āϞ āĻāύ āϰā§āϏā§āĻâ?
Ans. Deathâs âsecond selfâ, Sleep, seals up all in rest, but specifically death itself ultimately seals all life in eternal rest. Both Sleep and Death bring permanent stillness.
āĻĄā§āĻĨâāϏ âāϏā§āĻā§āύā§āĻĄ āϏā§āϞāĻĢâ, āϏā§āϞāĻŋāĻĒ, āϏāĻŋāϞāϏ āĻāĻĒ āĻ
āϞ āĻāύ āϰā§āϏā§āĻ, āĻŦāĻžāĻ āϏā§āĻĒā§āϏāĻŋāĻĢāĻŋāĻā§āϝāĻžāϞāĻŋ āĻĄā§āĻĨ āĻāĻāϏā§āϞāĻĢ āĻāϞā§āĻāĻŋāĻŽā§āĻāϞāĻŋ āϏāĻŋāϞāϏ āĻ
āϞ āϞāĻžāĻāĻĢ āĻāύ āĻāĻāĻžāϰā§āύāĻžāϞ āϰā§āϏā§āĻāĨ¤ āĻŦā§āĻĨ āϏā§āϞāĻŋāĻĒ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĄā§āĻĨ āĻŦā§āϰāĻŋāĻ āĻĒāĻžāϰā§āĻŽāĻžāύā§āύā§āĻ āϏā§āĻāĻŋāϞāύā§āϏāĨ¤
âāĻĄā§āĻĨâāϏ āϏā§āĻā§āύā§āĻĄ āϏā§āϞāĻĢâ āĻ
āϰā§āĻĨāĻžā§ āĻā§āĻŽ āϏāĻŦāĻāĻŋāĻā§āĻā§ āĻŦāĻŋāĻļā§āϰāĻžāĻŽā§āϰ āĻŽāϧā§āϝ⧠āĻāĻŦāĻĻā§āϧ āĻāϰā§āĨ¤ āϤāĻŦā§ āĻļā§āώ āĻĒāϰā§āϝāύā§āϤ āĻŽā§āϤā§āϝ⧠āĻā§āĻŦāύāĻā§ āĻāĻŋāϰāϏā§āĻĨāĻžāϝāĻŧā§ āĻŦāĻŋāĻļā§āϰāĻžāĻŽā§ āύāĻŋāϝāĻŧā§ āϝāĻžāϝāĻŧāĨ¤ āĻā§āĻŽ āĻ āĻŽā§āϤā§āϝ⧠āĻāĻāϝāĻŧāĻ āϏā§āĻĨāĻŋāϰāϤāĻž āύāĻŋāϝāĻŧā§ āĻāϏā§āĨ¤
21. What symbolic element represents the speakerâs lost passion?
āĻšā§āϝāĻŧāĻžāĻ āϏāĻŋāĻŽā§āĻŦāϞāĻŋāĻ āĻāϞāĻŋāĻŽā§āύā§āĻ āϰāĻŋāĻĒā§āϰā§āĻā§āύā§āĻāϏ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āϞāϏā§āĻ āĻĒā§āϝāĻžāĻļāύ?
Ans. The glowing fire turning to ashes symbolizes the speakerâs lost passion and fading energy, showing how his once strong desires have weakened with age.
āĻĻā§āϝ āĻā§āϞā§āϝāĻŧāĻŋāĻ āĻĢāĻžāϝāĻŧāĻžāϰ āĻāĻžāϰā§āύāĻŋāĻ āĻā§ āĻ
ā§āϝāĻžāĻļā§āϏ āϏāĻŋāĻŽā§āĻŦā§āϞāĻžāĻāĻā§āϏ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āϞāϏā§āĻ āĻĒā§āϝāĻžāĻļāύ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĢā§āĻĄāĻŋāĻ āĻāύāĻžāϰā§āĻāĻŋ, āĻļā§āϝāĻŧāĻŋāĻ āĻšāĻžāĻ āĻšāĻŋāĻ āĻāϝāĻŧāĻžāύā§āϏ āϏā§āĻā§āϰāĻ āĻĄāĻŋāĻāĻžāϝāĻŧāĻžāϰā§āϏ āĻšā§āϝāĻžāĻ āĻāĻāĻā§āύā§āĻĄ āĻāĻāĻĨ āĻāĻāĻāĨ¤
āĻā§āĻŦāϞāύā§āϤ āĻāĻā§āύ āϧā§āϰ⧠āϧā§āϰ⧠āĻāĻžāĻāϝāĻŧā§ āĻĒāϰāĻŋāĻŖāϤ āĻšāĻāϝāĻŧāĻžāϰ āĻāĻŋāϤā§āϰāĻāĻŋ āĻŦāĻā§āϤāĻžāϰ āĻšāĻžāϰāĻŋāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻž āĻāĻŦā§āĻ āĻ āĻāĻŽā§ āϝāĻžāĻāϝāĻŧāĻž āĻļāĻā§āϤāĻŋāϰ āĻĒā§āϰāϤā§āĻāĨ¤ āĻŦāϝāĻŧāϏ āĻŦāĻžāĻĄāĻŧāĻžāϰ āϏāĻā§āĻā§ āϤāĻžāĻāϰ āĻāĻā§āϰ āĻĒā§āϰāĻŦāϞ āĻāĻāĻžāĻā§āĻā§āώāĻžāĻā§āϞāĻŋ āĻĻā§āϰā§āĻŦāϞ āĻšāϝāĻŧā§ āĻā§āĻā§āĨ¤
22. What is consuming the speakerâs life force?
āĻšā§āϝāĻŧāĻžāĻ āĻāĻ āĻāύāϏāĻŋāĻāĻŽāĻŋāĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āϞāĻžāĻāĻĢ āĻĢā§āϰā§āϏ?
Ans. Time, which nourished his life initially, is now consuming it, showing how the same force that gave him strength is slowly bringing him closer to death.
āĻāĻžāĻāĻŽ, āĻšā§āĻāĻ āύāĻžāϰāĻŋāĻļāĻĄ āĻšāĻŋāĻ āϞāĻžāĻāĻĢ āĻāύāĻŋāĻļāĻŋāϝāĻŧāĻžāϞāĻŋ, āĻāĻ āύāĻžāĻ āĻāύāϏāĻŋāĻāĻŽāĻŋāĻ āĻāĻ, āĻļā§āϝāĻŧāĻŋāĻ āĻšāĻžāĻ āĻĻā§āϝ āϏā§āĻāĻŽ āĻĢā§āϰā§āϏ āĻĻā§āϝāĻžāĻ āĻā§āĻ āĻšāĻŋāĻŽ āϏā§āĻā§āϰā§āĻāĻĨ āĻāĻ āϏā§āϞā§āϞāĻŋ āĻŦā§āϰāĻŋāĻāĻāĻŋāĻ āĻšāĻŋāĻŽ āĻā§āϞā§āĻāĻžāϰ āĻā§ āĻĄā§āĻĨāĨ¤
āϏāĻŽāϝāĻŧāĻ āĻŦāĻā§āϤāĻžāϰ āĻā§āĻŦāύāĻļāĻā§āϤāĻŋāĻā§ āĻā§āϰāĻžāϏ āĻāϰāĻā§āĨ¤ āϝ⧠āϏāĻŽāϝāĻŧ āĻāĻāϏāĻŽāϝāĻŧ āϤāĻžāĻāϰ āĻā§āĻŦāύāĻā§ āĻāĻāĻŋāϝāĻŧā§ āύāĻŋāϝāĻŧā§ āĻāĻŋāϝāĻŧā§āĻāĻŋāϞ, āϏā§āĻ āϏāĻŽāϝāĻŧāĻ āĻāĻāύ āϧā§āϰ⧠āϧā§āϰ⧠āϤāĻžāĻāĻā§ āĻŽā§āϤā§āϝā§āϰ āĻĻāĻŋāĻā§ āύāĻŋāϝāĻŧā§ āϝāĻžāĻā§āĻā§āĨ¤
23. âIn me thou seest the glowing of such fireâ â What comparison do you find here?
âāĻāύ āĻŽāĻŋ āĻĻāĻžāĻ āϏāĻŋāϏā§āĻ āĻĻā§āϝ āĻā§āϞā§āϝāĻŧāĻŋāĻ āĻ
āĻ āϏāĻžāĻ āĻĢāĻžāϝāĻŧāĻžāϰââāĻšā§āϝāĻŧāĻžāĻ āĻāĻŽā§āĻĒā§āϝāĻžāϰāĻŋāϏāύ āĻĄā§ āĻāĻ āĻĢāĻžāĻāύā§āĻĄ āĻšāĻŋāϝāĻŧāĻžāϰ?
Ans. The line compares the speakerâs fading life to a dying fire, showing that just as a fire burns low before going out, the speakerâs strength and passion are fading as he is very near to death.
āĻĻā§āϝ āϞāĻžāĻāύ āĻāĻŽāĻĒā§āϝāĻŧāĻžāϰā§āϏ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āĻĢā§āĻĄāĻŋāĻ āϞāĻžāĻāĻĢ āĻā§ āĻ āĻĄāĻžāĻāĻ āĻĢāĻžāϝāĻŧāĻžāϰ, āĻļā§āϝāĻŧāĻŋāĻ āĻĻā§āϝāĻžāĻ āĻāĻžāϏā§āĻ āĻ
ā§āϝāĻžāĻ āĻ āĻĢāĻžāϝāĻŧāĻžāϰ āĻŦāĻžāϰā§āύāϏ āϞ⧠āĻŦāĻŋāĻĢā§āϰ āĻā§āϝāĻŧāĻŋāĻ āĻāĻāĻ, āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āϏā§āĻā§āϰā§āĻāĻĨ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĒā§āϝāĻžāĻļāύ āĻāϰ āĻĢā§āĻĄāĻŋāĻ āĻ
ā§āϝāĻžāĻ āĻšāĻŋ āĻāĻ āĻā§āϰāĻŋ āύāĻŋāϝāĻŧāĻžāϰ āĻā§ āĻĄā§āĻĨāĨ¤
āĻāĻāĻžāύ⧠āĻŦāĻā§āϤāĻžāϰ āĻŽā§āϞāĻžāύ āĻšāϝāĻŧā§ āĻāϏāĻž āĻā§āĻŦāύāĻā§ āύāĻŋāĻāϤ⧠āĻĨāĻžāĻāĻž āĻāĻā§āύā§āϰ āϏāĻā§āĻā§ āϤā§āϞāύāĻž āĻāϰāĻž āĻšāϝāĻŧā§āĻā§āĨ¤ āĻāĻā§āύ āϝā§āĻŽāύ āύāĻŋāĻā§ āϝāĻžāĻāϝāĻŧāĻžāϰ āĻāĻā§ āϧā§āϰ⧠āϧā§āϰ⧠āĻāĻŽā§ āĻāϏā§, āϤā§āĻŽāύāĻ āĻŽā§āϤā§āϝā§āϰ āĻāĻžāĻāĻžāĻāĻžāĻāĻŋ āĻāϏ⧠āĻŦāĻā§āϤāĻžāϰ āĻļāĻā§āϤāĻŋ āĻ āĻāĻŦā§āĻāĻ āĻāĻŽā§ āϝāĻžāĻā§āĻā§āĨ¤
24. What does the poet say about youth in Sonnet 73?
āĻšā§āϝāĻŧāĻžāĻ āĻĄāĻžāĻ āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻ āϏ⧠āĻ
ā§āϝāĻžāĻŦāĻžāĻāĻ āĻāϝāĻŧā§āĻĨ āĻāύ āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋ?
Ans. The poet implies youth is full of vitality and beauty, compared to spring or a strong fire. But it is lost forever with the passage of time. Now it is remembered nostalgically in old age.
āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻ āĻāĻŽāĻĒā§āϞāĻžāĻāĻ āĻāϝāĻŧā§āĻĨ āĻāĻ āĻĢā§āϞ āĻ
āĻ āĻāĻžāĻāĻāĻžāϞāĻŋāĻāĻŋ āĻ
ā§āϝāĻžāύā§āĻĄ āĻŦāĻŋāĻāĻāĻŋ, āĻāĻŽāĻĒā§āϝāĻŧāĻžāϰā§āĻĄ āĻā§ āϏā§āĻĒā§āϰāĻŋāĻ āĻ
āϰ āĻ āϏā§āĻā§āϰāĻ āĻĢāĻžāϝāĻŧāĻžāϰāĨ¤ āĻŦāĻžāĻ āĻāĻ āĻāĻ āϞāϏā§āĻ āĻĢāϰāĻāĻāĻžāϰ āĻāĻāĻĨ āĻĻā§āϝ āĻĒā§āϝāĻžāϏā§āĻ āĻ
āĻ āĻāĻžāĻāĻŽāĨ¤ āύāĻžāĻ āĻāĻ āĻāĻ āϰāĻŋāĻŽā§āĻŽā§āĻŦāĻžāϰā§āĻĄ āύāϏā§āĻā§āϝāĻžāϞāĻāĻŋāĻā§āϝāĻžāϞāĻŋ āĻāύ āĻāϞā§āĻĄ āĻāĻāĻāĨ¤
āĻāĻŦāĻŋ āĻŦā§āĻāĻžāύ āϝ⧠āϝā§āĻŦāύ āĻĒā§āϰāĻžāĻŖāĻļāĻā§āϤāĻŋ āĻ āϏā§āύā§āĻĻāϰā§āϝ⧠āĻĒā§āϰā§āĻŖāĨ¤ āĻāĻŋāύā§āϤ⧠āϏāĻŽāϝāĻŧā§āϰ āϏāĻā§āĻā§ āϤāĻž āĻāĻŋāϰāϤāϰ⧠āĻšāĻžāϰāĻŋāϝāĻŧā§ āϝāĻžāϝāĻŧāĨ¤ āĻŦāĻžāϰā§āϧāĻā§āϝ⧠āĻāϏ⧠āϏā§āĻ āϝā§āĻŦāύāĻā§ āύāϏā§āĻāĻžāϞāĻāĻŋāϝāĻŧāĻžāϰ āϏāĻā§āĻā§ āϏā§āĻŽāϰāĻŖ āĻāϰāĻž āĻšāϝāĻŧāĨ¤
25. âThis thou perceivâstâ â Who will perceive what?
âāĻĻāĻŋāϏ āĻĻāĻžāĻ āĻĒāĻžāϰāϏāĻŋāĻâāϏā§āĻââāĻšā§ āĻāĻāϞ āĻĒāĻžāϰāϏāĻŋāĻ āĻšā§āϝāĻŧāĻžāĻ?
Ans. The young friend will perceive the poetâs signs of aging and approaching death, realizing how time is taking away the poetâs youth and strength.
āĻĻā§āϝ āĻāϝāĻŧāĻžāĻ āĻĢā§āϰā§āύā§āĻĄ āĻāĻāϞ āĻĒāĻžāϰāϏāĻŋāĻ āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻâāϏ āϏāĻžāĻāύāϏ āĻ
āĻ āĻāĻāĻŋāĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻ
ā§āϝāĻžāĻĒā§āϰā§āĻāĻŋāĻ āĻĄā§āĻĨ, āϰāĻŋāϝāĻŧāĻžāϞāĻžāĻāĻāĻŋāĻ āĻšāĻžāĻ āĻāĻžāĻāĻŽ āĻāĻ āĻā§āĻāĻŋāĻ āĻ
ā§āϝāĻžāĻāϝāĻŧā§ āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻâāϏ āĻāϝāĻŧā§āĻĨ āĻ
ā§āϝāĻžāύā§āĻĄ āϏā§āĻā§āϰā§āĻāĻĨāĨ¤
āĻāĻŦāĻŋāϰ āϤāϰā§āĻŖ āĻĒā§āϰāĻŋāϝāĻŧāĻāύ āĻāĻŦāĻŋāϰ āĻŦāĻžāϰā§āϧāĻā§āϝ āĻ āĻāϏāύā§āύ āĻŽā§āϤā§āϝā§āϰ āϞāĻā§āώāĻŖāĻā§āϞāĻŋ āĻŦā§āĻāϤ⧠āĻĒāĻžāϰāĻŦā§āĨ¤ āϏ⧠āĻŦā§āĻāϤ⧠āĻĒāĻžāϰāĻŦā§ āϝ⧠āϏāĻŽāϝāĻŧ āĻāĻŦāĻŋāϰ āϝā§āĻŦāύ āĻ āĻļāĻā§āϤāĻŋ āĻā§āĻĄāĻŧā§ āύāĻŋāĻā§āĻā§āĨ¤
26. What symbolises the speakerâs lost youth and beauty in the poem?
āĻšā§āϝāĻŧāĻžāĻ āϏāĻŋāĻŽā§āĻŦā§āϞāĻžāĻāĻā§āϏ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āϞāϏā§āĻ āĻāϝāĻŧā§āĻĨ āĻ
ā§āϝāĻžāύā§āĻĄ āĻŦāĻŋāĻāĻāĻŋ āĻāύ āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻŽ?
Ans. The bare ruined choirs and the dying fire symbolize the speakerâs lost youth and beauty, showing the emptiness and fading passion that come with old age.
āĻĻā§āϝ āĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĻā§āϝ āĻĄāĻžāĻāĻ āĻĢāĻžāϝāĻŧāĻžāϰ āϏāĻŋāĻŽā§āĻŦā§āϞāĻžāĻāĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āϞāϏā§āĻ āĻāϝāĻŧā§āĻĨ āĻ
ā§āϝāĻžāύā§āĻĄ āĻŦāĻŋāĻāĻāĻŋ, āĻļā§āϝāĻŧāĻŋāĻ āĻĻā§āϝ āĻāĻŽā§āĻĒāĻāĻŋāύā§āϏ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĢā§āĻĄāĻŋāĻ āĻĒā§āϝāĻžāĻļāύ āĻĻā§āϝāĻžāĻ āĻāĻžāĻŽ āĻāĻāĻĨ āĻāϞā§āĻĄ āĻāĻāĻāĨ¤
âāĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏâ āĻāĻŦāĻ āύāĻŋāĻā§ āϝāĻžāĻāϝāĻŧāĻž āĻāĻā§āύ āĻŦāĻā§āϤāĻžāϰ āĻšāĻžāϰāĻŋāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻž āϝā§āĻŦāύ āĻ āϏā§āύā§āĻĻāϰā§āϝā§āϰ āĻĒā§āϰāϤā§āĻāĨ¤ āĻāĻā§āϞāĻŋ āĻŦāĻžāϰā§āϧāĻā§āϝā§āϰ āϏāĻā§āĻā§ āĻāϏāĻž āĻļā§āύā§āϝāϤāĻž āĻ āĻŽā§āϞāĻžāύ āĻāĻŦā§āĻāĻā§ āĻĒā§āϰāĻāĻžāĻļ āĻāϰā§āĨ¤
27. What is the speakerâs attitude towards death by the end of the sonnet?
āĻšā§āϝāĻŧāĻžāĻ āĻāĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āĻ
ā§āϝāĻžāĻāĻŋāĻāĻŋāĻāĻĄ āĻā§āĻāϝāĻŧāĻžāϰā§āĻĄāϏ āĻĄā§āĻĨ āĻŦāĻžāĻ āĻĻā§āϝ āĻāύā§āĻĄ āĻ
āĻ āĻĻā§āϝ āϏāύā§āĻ?
Ans. By the end of the sonnet, the speaker accepts death calmly and wisely, realizing that awareness of death deepens love and makes one value life and relationships more.
āĻŦāĻžāĻ āĻĻā§āϝ āĻāύā§āĻĄ āĻ
āĻ āĻĻā§āϝ āϏāύā§āĻ, āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰ āĻ
ā§āϝāĻžāĻāϏā§āĻĒā§āĻāϏ āĻĄā§āĻĨ āĻāĻžāĻŽāϞāĻŋ āĻ
ā§āϝāĻžāύā§āĻĄ āĻāϝāĻŧāĻžāĻāĻāϞāĻŋ, āϰāĻŋāϝāĻŧāĻžāϞāĻžāĻāĻāĻŋāĻ āĻĻā§āϝāĻžāĻ āĻ
ā§āϝāĻžāĻāϝāĻŧāĻžāϰāύā§āϏ āĻ
āĻ āĻĄā§āĻĨ āĻĄāĻŋāĻĒā§āύā§āϏ āϞāĻžāĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻŽā§āĻāϏ āĻāϝāĻŧāĻžāύ āĻā§āϝāĻžāϞ⧠āϞāĻžāĻāĻĢ āĻ
ā§āϝāĻžāύā§āĻĄ āϰāĻŋāϞā§āĻļāύāĻļāĻŋāĻĒāϏ āĻŽā§āϰāĨ¤
āϏāύā§āĻā§āϰ āĻļā§āώ⧠āĻŦāĻā§āϤāĻž āĻļāĻžāύā§āϤ āĻ āĻĒā§āϰāĻā§āĻāĻžāϰ āϏāĻā§āĻā§ āĻŽā§āϤā§āϝā§āĻā§ āĻŽā§āύ⧠āύā§āύāĨ¤ āϤāĻŋāύāĻŋ āĻāĻĒāϞāĻŦā§āϧāĻŋ āĻāϰā§āύ āϝ⧠āĻŽā§āϤā§āϝā§āϰ āĻāĻĨāĻž āĻŽāύ⧠āĻĨāĻžāĻāϞ⧠āĻāĻžāϞā§āĻŦāĻžāϏāĻž āĻāϰāĻ āĻāĻā§āϰ āĻšāϝāĻŧ āĻāĻŦāĻ āĻā§āĻŦāύ āĻ āϏāĻŽā§āĻĒāϰā§āĻāĻā§ āĻāϰāĻ āĻŦā§āĻļāĻŋ āĻŽā§āϞā§āϝ āĻĻā§āĻāϝāĻŧāĻž āϝāĻžāϝāĻŧāĨ¤
28. How does the speaker describe the passing of time in the sonnet?
āĻšāĻžāĻ āĻĄāĻžāĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰ āĻĄāĻŋāϏāĻā§āϰāĻžāĻāĻŦ āĻĻā§āϝ āĻĒā§āϝāĻžāϏāĻŋāĻ āĻ
āĻ āĻāĻžāĻāĻŽ āĻāύ āĻĻā§āϝ āϏāύā§āĻ?
Ans. The speaker says that time passes slowly, consuming lifeâs flame, leaving only ashes, and moving inevitably towards death and decay.
āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰ āϏā§āĻ āĻĻā§āϝāĻžāĻ āĻāĻžāĻāĻŽ āĻĒā§āϝāĻžāϏā§āϏ āϏā§āϞā§āϞāĻŋ, āĻāύāϏāĻŋāĻāĻŽāĻŋāĻ āϞāĻžāĻāĻĢâāϏ āĻĢā§āϞā§āĻŽ, āϞāĻŋāĻāĻŋāĻ āĻāύāϞāĻŋ āĻ
ā§āϝāĻžāĻļā§āϏ, āĻ
ā§āϝāĻžāύā§āĻĄ āĻŽā§āĻāĻŋāĻ āĻāύāĻāĻāĻŋāĻā§āϝāĻžāĻŦāϞāĻŋ āĻā§āĻāϝāĻŧāĻžāϰā§āĻĄāϏ āĻĄā§āĻĨ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĄāĻŋāĻā§āĨ¤
āĻŦāĻā§āϤāĻž āĻĻā§āĻāĻŋāϝāĻŧā§āĻā§āύ āϝ⧠āϏāĻŽāϝāĻŧ āϧā§āϰ⧠āϧā§āϰ⧠āĻā§āĻŦāύā§āϰ āĻļāĻŋāĻāĻžāĻā§ āύāĻŋāĻāĻļā§āώ āĻāϰ⧠āĻĻā§āϝāĻŧ, āĻļā§āώ⧠āĻļā§āϧ⧠āĻāĻžāĻ āĻ
āĻŦāĻļāĻŋāώā§āĻ āĻĨāĻžāĻā§ āĻāĻŦāĻ āĻā§āĻŦāύ āĻ
āύāĻŋāĻŦāĻžāϰā§āϝāĻāĻžāĻŦā§ āĻŽā§āϤā§āϝ⧠āĻ āĻā§āώāϝāĻŧā§āϰ āĻĻāĻŋāĻā§ āĻāĻāĻŋāϝāĻŧā§ āϝāĻžāϝāĻŧāĨ¤
29. What contrast is made between the speakerâs past and present life?
āĻšā§āϝāĻŧāĻžāĻ āĻāύāĻā§āϰāĻžāϏā§āĻ āĻāĻ āĻŽā§āĻĄ āĻŦāĻŋāĻā§āĻāύ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āĻĒāĻžāϏā§āĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĒā§āϰā§āĻā§āύā§āĻ āϞāĻžāĻāĻĢ?
Ans. The speakerâs past was full of youth, strength, and passion, while his present life shows weakness, fading energy, and the nearness of death.
āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āĻĒāĻžāϏā§āĻ āĻāϝāĻŧāĻžāĻ āĻĢā§āϞ āĻ
āĻ āĻāϝāĻŧā§āĻĨ, āϏā§āĻā§āϰā§āĻāĻĨ, āĻ
ā§āϝāĻžāύā§āĻĄ āĻĒā§āϝāĻžāĻļāύ, āĻšā§āϝāĻŧāĻžāĻāϞ āĻšāĻŋāĻ āĻĒā§āϰā§āĻā§āύā§āĻ āϞāĻžāĻāĻĢ āĻļā§āĻ āĻāĻāĻāύā§āϏ, āĻĢā§āĻĄāĻŋāĻ āĻāύāĻžāϰā§āĻāĻŋ, āĻ
ā§āϝāĻžāύā§āĻĄ āĻĻā§āϝ āύāĻŋāϝāĻŧāĻžāϰāύā§āϏ āĻ
āĻ āĻĄā§āĻĨāĨ¤
āĻŦāĻā§āϤāĻžāϰ āĻ
āϤā§āϤ āĻā§āĻŦāύ āϝā§āĻŦāύ, āĻļāĻā§āϤāĻŋ āĻ āĻāĻŦā§āĻā§ āĻĒā§āϰā§āĻŖ āĻāĻŋāϞāĨ¤ āĻāĻŋāύā§āϤ⧠āĻŦāϰā§āϤāĻŽāĻžāύ āĻā§āĻŦāύ āĻĻā§āϰā§āĻŦāϞāϤāĻž, āĻāĻŽā§ āϝāĻžāĻāϝāĻŧāĻž āĻĒā§āϰāĻžāĻŖāĻļāĻā§āϤāĻŋ āĻāĻŦāĻ āĻŽā§āϤā§āϝā§āϰ āύā§āĻāĻā§āϝāĻā§ āĻĒā§āϰāĻāĻžāĻļ āĻāϰā§āĨ¤
30. How does the speaker describe his remaining life force?
āĻšāĻžāĻ āĻĄāĻžāĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰ āĻĄāĻŋāϏāĻā§āϰāĻžāĻāĻŦ āĻšāĻŋāĻ āϰāĻŋāĻŽā§āĻāύāĻŋāĻ āϞāĻžāĻāĻĢ āĻĢā§āϰā§āϏ?
Ans. The speaker describes his remaining life force as the glowing ashes of a dying fire, showing that only a faint trace of his former passion and energy is left.
āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰ āĻĄāĻŋāϏāĻā§āϰāĻžāĻāĻŦāϏ āĻšāĻŋāĻ āϰāĻŋāĻŽā§āĻāύāĻŋāĻ āϞāĻžāĻāĻĢ āĻĢā§āϰā§āϏ āĻ
ā§āϝāĻžāĻ āĻĻā§āϝ āĻā§āϞā§āϝāĻŧāĻŋāĻ āĻ
ā§āϝāĻžāĻļā§āϏ āĻ
āĻ āĻ āĻĄāĻžāĻāĻ āĻĢāĻžāϝāĻŧāĻžāϰ, āĻļā§āϝāĻŧāĻŋāĻ āĻĻā§āϝāĻžāĻ āĻāύāϞāĻŋ āĻ āĻĢā§āĻāύā§āĻ āĻā§āϰā§āϏ āĻ
āĻ āĻšāĻŋāĻ āĻĢāϰā§āĻŽāĻžāϰ āĻĒā§āϝāĻžāĻļāύ āĻ
ā§āϝāĻžāύā§āĻĄ āĻāύāĻžāϰā§āĻāĻŋ āĻāĻ āϞā§āĻĢāĻāĨ¤
āĻŦāĻā§āϤāĻž āϤāĻžāĻāϰ āĻ
āĻŦāĻļāĻŋāώā§āĻ āĻā§āĻŦāύāĻļāĻā§āϤāĻŋāĻā§ āύāĻŋāĻāϤ⧠āĻĨāĻžāĻāĻž āĻāĻā§āύā§āϰ āĻā§āĻŦāϞāύā§āϤ āĻāĻžāĻāϝāĻŧā§āϰ āϏāĻā§āĻā§ āϤā§āϞāύāĻž āĻāϰā§āĻā§āύāĨ¤ āĻāϤ⧠āĻŦā§āĻāĻž āϝāĻžāϝāĻŧ, āϤāĻžāĻāϰ āĻāĻā§āϰ āĻāĻŦā§āĻ āĻ āĻļāĻā§āϤāĻŋāϰ āϏāĻžāĻŽāĻžāύā§āϝ āĻ
āĻāĻļāĻ āĻāĻāύ āĻ
āĻŦāĻļāĻŋāώā§āĻ āϰāϝāĻŧā§āĻā§āĨ¤
31. Does Sonnet 73 offer hope for an afterlife?
āĻĄāĻžāĻ āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋ āĻ
āĻĢāĻžāϰ āĻšā§āĻĒ āĻĢāϰ āĻ
ā§āϝāĻžāύ āĻāĻĢāĻāĻžāϰāϞāĻžāĻāĻĢ?
Ans. No, Sonnet 73 does not offer hope for an afterlife. It focuses on aging and death in this life, showing how awareness of mortality deepens love, rather than promising life after death.
āύā§, āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋ āĻĄāĻžāĻ āύāĻ āĻ
āĻĢāĻžāϰ āĻšā§āĻĒ āĻĢāϰ āĻ
ā§āϝāĻžāύ āĻāĻĢāĻāĻžāϰāϞāĻžāĻāĻĢāĨ¤ āĻāĻ āĻĢā§āĻāĻžāϏā§āϏ āĻ
āύ āĻāĻāĻŋāĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĄā§āĻĨ āĻāύ āĻĻāĻŋāϏ āϞāĻžāĻāĻĢ, āĻļā§āϝāĻŧāĻŋāĻ āĻšāĻžāĻ āĻ
ā§āϝāĻžāĻāϝāĻŧāĻžāϰāύā§āϏ āĻ
āĻ āĻŽāϰā§āĻāĻžāϞāĻŋāĻāĻŋ āĻĄāĻŋāĻĒā§āύā§āϏ āϞāĻžāĻ, āϰāĻžāĻĻāĻžāϰ āĻĻā§āϝāĻžāύ āĻĒā§āϰāĻŽāĻŋāϏāĻŋāĻ āϞāĻžāĻāĻĢ āĻāĻĢāĻāĻžāϰ āĻĄā§āĻĨāĨ¤
āϏāύā§āĻ ā§ā§Š-āĻ āĻĒāϰāĻāĻžāϞ āϏāĻŽā§āĻĒāϰā§āĻā§ āĻā§āύ⧠āĻāĻļāĻž āϏā§āĻĒāώā§āĻāĻāĻžāĻŦā§ āĻĻā§āĻāϝāĻŧāĻž āĻšāϝāĻŧāύāĻŋāĨ¤ āĻāĻŦāĻŋāϤāĻžāĻāĻŋ āĻŽā§āϞāϤ āĻāĻ āĻā§āĻŦāύā§āϰ āĻŦāĻžāϰā§āϧāĻā§āϝ āĻ āĻŽā§āϤā§āϝā§āĻā§ āĻā§āύā§āĻĻā§āϰ āĻāϰ⧠āϞā§āĻāĻž āĻāĻŦāĻ āĻŽā§āϤā§āϝā§āϰ āϏāĻā§āϤāύāϤāĻž āĻā§āĻāĻžāĻŦā§ āĻāĻžāϞā§āĻŦāĻžāϏāĻžāĻā§ āĻāĻā§āϰ āĻāϰ⧠āϤāĻž āĻĻā§āĻāĻžāϝāĻŧāĨ¤
32. How does the speaker describe his physical appearance?
āĻšāĻžāĻ āĻĄāĻžāĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰ āĻĄāĻŋāϏāĻā§āϰāĻžāĻāĻŦ āĻšāĻŋāĻ āĻĢāĻŋāĻāĻŋāĻā§āϝāĻžāϞ āĻ
ā§āϝāĻžāĻĒāĻŋāϝāĻŧāĻžāϰā§āύā§āϏ?
Ans. The speaker describes his physical appearance as weak and aged, like bare branches in autumn or the fading glow of a dying fire, showing the signs of old age and decline.
āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰ āĻĄāĻŋāϏāĻā§āϰāĻžāĻāĻŦāϏ āĻšāĻŋāĻ āĻĢāĻŋāĻāĻŋāĻā§āϝāĻžāϞ āĻ
ā§āϝāĻžāĻĒāĻŋāϝāĻŧāĻžāϰā§āύā§āϏ āĻ
ā§āϝāĻžāĻ āĻāĻāĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻāĻāĻĄ, āϞāĻžāĻāĻ āĻŦā§āϝāĻŧāĻžāϰ āĻŦā§āϰāĻžāĻā§āĻā§āϏ āĻāύ āĻ
āĻāĻžāĻŽ āĻ
āϰ āĻĻā§āϝ āĻĢā§āĻĄāĻŋāĻ āĻā§āϞ⧠āĻ
āĻ āĻ āĻĄāĻžāĻāĻ āĻĢāĻžāϝāĻŧāĻžāϰ, āĻļā§āϝāĻŧāĻŋāĻ āĻĻā§āϝ āϏāĻžāĻāύāϏ āĻ
āĻ āĻāϞā§āĻĄ āĻāĻāĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĄāĻŋāĻā§āϞāĻžāĻāύāĨ¤
āĻŦāĻā§āϤāĻž āϤāĻžāĻāϰ āĻļāĻžāϰā§āϰāĻŋāĻ āĻ
āĻŦāϏā§āĻĨāĻžāĻā§ āĻĻā§āϰā§āĻŦāϞ āĻ āĻŦā§āĻĻā§āϧ āĻŦāϞ⧠āĻŦāϰā§āĻŖāύāĻž āĻāϰā§āĻā§āύāĨ¤ āϤāĻŋāύāĻŋ āύāĻŋāĻā§āĻā§ āĻļāϰāϤā§āϰ āĻĒāĻžāϤāĻžāĻšā§āύ āĻĄāĻžāϞ āĻ
āĻĨāĻŦāĻž āύāĻŋāĻāϤ⧠āĻĨāĻžāĻāĻž āĻāĻā§āύā§āϰ āĻŽā§āϞāĻžāύ āĻāϞā§āϝāĻŧā§āϰ āϏāĻā§āĻā§ āϤā§āϞāύāĻž āĻāϰā§āĻā§āύāĨ¤
33. To what is the speakerâs voice compared in the sonnet?
āĻā§ āĻšā§āϝāĻŧāĻžāĻ āĻāĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āĻāϝāĻŧā§āϏ āĻāĻŽāĻĒā§āϝāĻŧāĻžāϰā§āĻĄ āĻāύ āĻĻā§āϝ āϏāύā§āĻ?
Ans. The speakerâs voice is compared to the sweet birds that once sang in the bare ruined choirs, which are now empty and silent, symbolizing his lost youth and fading vitality.
āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰâāϏ āĻāϝāĻŧā§āϏ āĻāĻ āĻāĻŽāĻĒā§āϝāĻŧāĻžāϰā§āĻĄ āĻā§ āĻĻā§āϝ āϏā§āĻāĻ āĻŦāĻžāϰā§āĻĄāϏ āĻĻā§āϝāĻžāĻ āĻāϝāĻŧāĻžāύā§āϏ āϏā§āϝāĻžāĻ āĻāύ āĻĻā§āϝ āĻŦā§āϝāĻŧāĻžāϰ āϰā§āĻāύāĻĄ āĻā§āϝāĻŧāĻžāϰā§āϏ, āĻšā§āĻāĻ āĻāϰ āύāĻžāĻ āĻāĻŽā§āĻĒāĻāĻŋ āĻ
ā§āϝāĻžāύā§āĻĄ āϏāĻžāĻāϞā§āύā§āĻ, āϏāĻŋāĻŽā§āĻŦā§āϞāĻžāĻāĻāĻŋāĻ āĻšāĻŋāĻ āϞāϏā§āĻ āĻāϝāĻŧā§āĻĨ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĢā§āĻĄāĻŋāĻ āĻāĻžāĻāĻāĻžāϞāĻŋāĻāĻŋāĨ¤
āĻŦāĻā§āϤāĻžāϰ āĻāĻŖā§āĻ āĻā§ āϏā§āĻ āĻŽāĻŋāώā§āĻāĻŋ āĻĒāĻžāĻāĻŋāĻĻā§āϰ āĻāĻžāύā§āϰ āϏāĻā§āĻā§ āϤā§āϞāύāĻž āĻāϰāĻž āĻšāϝāĻŧā§āĻā§, āϝāĻžāϰāĻž āĻāĻāϏāĻŽāϝāĻŧ āĻĒāĻžāϤāĻžāϝāĻŧ āĻāϰāĻž āĻĄāĻžāϞ⧠āĻāĻžāύ āĻāĻžāĻāϤāĨ¤ āĻāĻāύ āϏā§āĻ āϏā§āĻĨāĻžāύ āĻļā§āύā§āϝ āĻ āύā§āϰāĻŦāĨ¤ āĻāĻāĻŋ āϤāĻžāĻāϰ āĻšāĻžāϰāĻŋāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻž āϝā§āĻŦāύ āĻ āĻāĻŽā§ āϝāĻžāĻāϝāĻŧāĻž āĻĒā§āϰāĻžāĻŖāĻļāĻā§āϤāĻŋāϰ āĻĒā§āϰāϤā§āĻāĨ¤
34. How does the speaker feel about his impending death?
āĻšāĻžāĻ āĻĄāĻžāĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰ āĻĢāĻŋāϞ āĻ
ā§āϝāĻžāĻŦāĻžāĻāĻ āĻšāĻŋāĻ āĻāĻŽāĻĒā§āύā§āĻĄāĻŋāĻ āĻĄā§āĻĨ?
Ans. The speaker feels calm and accepting about his impending death. He realizes that death is natural and inevitable, and this understanding makes him value love and life more deeply.
āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰ āĻĢāĻŋāϞāϏ āĻāĻžāĻŽ āĻ
ā§āϝāĻžāύā§āĻĄ āĻ
ā§āϝāĻžāĻāϏā§āĻĒā§āĻāĻŋāĻ āĻ
ā§āϝāĻžāĻŦāĻžāĻāĻ āĻšāĻŋāĻ āĻāĻŽāĻĒā§āύā§āĻĄāĻŋāĻ āĻĄā§āĻĨāĨ¤ āĻšāĻŋ āϰāĻŋāϝāĻŧāĻžāϞāĻžāĻāĻā§āϏ āĻĻā§āϝāĻžāĻ āĻĄā§āĻĨ āĻāĻ āύā§āϝāĻžāĻāĻžāϰāĻžāϞ āĻ
ā§āϝāĻžāύā§āĻĄ āĻāύāĻāĻāĻŋāĻā§āϝāĻžāĻŦāϞ, āĻ
ā§āϝāĻžāύā§āĻĄ āĻĻāĻŋāϏ āĻāύā§āĻĄāĻžāϰāϏā§āĻā§āϝāĻžāύā§āĻĄāĻŋāĻ āĻŽā§āĻāϏ āĻšāĻŋāĻŽ āĻā§āϝāĻžāϞ⧠āϞāĻžāĻ āĻ
ā§āϝāĻžāύā§āĻĄ āϞāĻžāĻāĻĢ āĻŽā§āϰ āĻĄāĻŋāĻĒāϞāĻŋāĨ¤
āĻŦāĻā§āϤāĻž āϤāĻžāĻāϰ āĻāϏāύā§āύ āĻŽā§āϤā§āϝ⧠āϏāĻŽā§āĻĒāϰā§āĻā§ āĻļāĻžāύā§āϤ āĻ āĻā§āϰāĻšāĻŖāϝā§āĻā§āϝ āĻŽāύā§āĻāĻžāĻŦ āĻĒā§āώāĻŖ āĻāϰā§āύāĨ¤ āϤāĻŋāύāĻŋ āĻŦā§āĻāϤ⧠āĻĒāĻžāϰā§āύ āϝ⧠āĻŽā§āϤā§āϝ⧠āϏā§āĻŦāĻžāĻāĻžāĻŦāĻŋāĻ āĻ āĻ
āύāĻŋāĻŦāĻžāϰā§āϝāĨ¤ āĻāĻ āĻāĻĒāϞāĻŦā§āϧāĻŋ āϤāĻžāĻāĻā§ āĻā§āĻŦāύ āĻ āĻāĻžāϞā§āĻŦāĻžāϏāĻžāϰ āĻŽā§āϞā§āϝ āĻāϰāĻ āĻāĻā§āϰāĻāĻžāĻŦā§ āĻŦā§āĻāϤ⧠āϏāĻžāĻšāĻžāϝā§āϝ āĻāϰā§āĨ¤
35. What is the primary message the speaker conveys to the beloved in the concluding couplet?
āĻšā§āϝāĻŧāĻžāĻ āĻāĻ āĻĻā§āϝ āĻĒā§āϰāĻžāĻāĻŽāĻžāϰāĻŋ āĻŽā§āϏā§āĻ āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰ āĻāύāĻā§āĻāĻ āĻā§ āĻĻā§āϝ āĻŦāĻŋāϞāĻžāĻāĻĄ āĻāύ āĻĻā§āϝ āĻāύāĻā§āϞā§āĻĄāĻŋāĻ āĻāĻžāĻĒāϞā§āĻ?
Ans. The speaker conveys that the awareness of his approaching death deepens the belovedâs love, making them value and cherish their love more intensely before it ends.
āĻĻā§āϝ āϏā§āĻĒāĻŋāĻāĻžāϰ āĻāύāĻā§āĻāĻā§āϏ āĻĻā§āϝāĻžāĻ āĻĻā§āϝ āĻ
ā§āϝāĻžāĻāϝāĻŧāĻžāϰāύā§āϏ āĻ
āĻ āĻšāĻŋāĻ āĻ
ā§āϝāĻžāĻĒā§āϰā§āĻāĻŋāĻ āĻĄā§āĻĨ āĻĄāĻŋāĻĒā§āύā§āϏ āĻĻā§āϝ āĻŦāĻŋāϞāĻžāĻāĻĄâāϏ āϞāĻžāĻ, āĻŽā§āĻāĻŋāĻ āĻĻā§āĻŽ āĻā§āϝāĻžāϞ⧠āĻ
ā§āϝāĻžāύā§āĻĄ āĻā§āϰāĻŋāĻļ āĻĻā§āϝāĻŧāĻžāϰ āϞāĻžāĻ āĻŽā§āϰ āĻāύāĻā§āύā§āϏāϞāĻŋ āĻŦāĻŋāĻĢā§āϰ āĻāĻ āĻāύā§āĻĄāϏāĨ¤
āĻļā§āώ āĻĻā§āĻ āĻĒāĻāĻā§āϤāĻŋāϤ⧠āĻŦāĻā§āϤāĻž āĻŦā§āĻāĻžāύ āϝ⧠āϤāĻžāĻāϰ āĻāϏāύā§āύ āĻŽā§āϤā§āϝā§āϰ āĻāĻĨāĻž āĻāĻĒāϞāĻŦā§āϧāĻŋ āĻāϰāϞ⧠āĻĒā§āϰāĻŋāϝāĻŧāĻāύā§āϰ āĻāĻžāϞā§āĻŦāĻžāϏāĻž āĻāϰāĻ āĻāĻā§āϰ āĻšāϝāĻŧāĨ¤ āĻĢāϞ⧠āĻāĻžāϞā§āĻŦāĻžāϏāĻž āĻļā§āώ āĻšāϝāĻŧā§ āϝāĻžāĻāϝāĻŧāĻžāϰ āĻāĻā§ āϤāĻž āĻāϰāĻ āĻŦā§āĻļāĻŋ āĻāϰ⧠āĻŽā§āϞā§āϝāĻŦāĻžāύ āĻ āϝāϤā§āύā§āϰ āĻšāϝāĻŧā§ āĻāĻ ā§āĨ¤
36. Discuss the theme of Sonnet 73.
āĻĄāĻŋāϏāĻāĻžāϏ āĻĻā§āϝ āĻĨāĻŋāĻŽ āĻ
āĻ āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋāĨ¤
Ans. The main theme of Sonnet 73 is the passage of time and the approach of death. The poem shows how aging leads to the loss of youth and strength, but also how this awareness deepens love and emotional connection.
āĻĻā§āϝ āĻŽā§āĻāύ āĻĨāĻŋāĻŽ āĻ
āĻ āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋ āĻāĻ āĻĻā§āϝ āĻĒā§āϝāĻžāϏā§āĻ āĻ
āĻ āĻāĻžāĻāĻŽ āĻ
ā§āϝāĻžāύā§āĻĄ āĻĻā§āϝ āĻ
ā§āϝāĻžāĻĒā§āϰā§āĻ āĻ
āĻ āĻĄā§āĻĨāĨ¤ āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻŽ āĻļā§āĻ āĻšāĻžāĻ āĻāĻāĻŋāĻ āϞāĻŋāĻĄāϏ āĻā§ āĻĻā§āϝ āϞāϏ āĻ
āĻ āĻāϝāĻŧā§āĻĨ āĻ
ā§āϝāĻžāύā§āĻĄ āϏā§āĻā§āϰā§āĻāĻĨ, āĻŦāĻžāĻ āĻ
āϞāϏ⧠āĻšāĻžāĻ āĻĻāĻŋāϏ āĻ
ā§āϝāĻžāĻāϝāĻŧāĻžāϰāύā§āϏ āĻĄāĻŋāĻĒā§āύā§āϏ āϞāĻžāĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻāĻŽā§āĻļāύāĻžāϞ āĻāĻžāύā§āĻāĻļāύāĨ¤
āϏāύā§āĻ ā§ā§Š-āĻāϰ āĻĒā§āϰāϧāĻžāύ āĻŦāĻŋāώāϝāĻŧ āĻšāϞ āϏāĻŽāϝāĻŧā§āϰ āĻ
āϤāĻŋāĻā§āϰāĻŽ āĻāĻŦāĻ āĻŽā§āϤā§āϝā§āϰ āĻāĻāĻŽāύāĨ¤ āĻāĻŦāĻŋāϤāĻžāĻāĻŋ āĻĻā§āĻāĻžāϝāĻŧ, āĻŦāĻžāϰā§āϧāĻā§āϝā§āϰ āĻĢāϞ⧠āϝā§āĻŦāύ āĻ āĻļāĻā§āϤāĻŋ āĻšāĻžāϰāĻŋāϝāĻŧā§ āϝāĻžāϝāĻŧāĨ¤ āĻāĻŦāĻžāϰ āĻŽā§āϤā§āϝā§āϰ āĻāĻ āϏāĻā§āϤāύāϤāĻž āĻāĻžāϞā§āĻŦāĻžāϏāĻž āĻ āĻŽāĻžāύāϏāĻŋāĻ āϏāĻŽā§āĻĒāϰā§āĻāĻā§ āĻāϰāĻ āĻāĻā§āϰ āĻāϰ⧠āϤā§āϞā§āĨ¤
37. What time of the year is suggested in Sonnet 73 by the poet and why?
āĻšā§āϝāĻŧāĻžāĻ āĻāĻžāĻāĻŽ āĻ
āĻ āĻĻā§āϝ āĻāϝāĻŧāĻžāϰ āĻāĻ āϏāĻžāĻā§āϏā§āĻā§āĻĄ āĻāύ āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋ āĻŦāĻžāĻ āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻ āĻ
ā§āϝāĻžāύā§āĻĄ āĻšā§āϝāĻŧāĻžāĻ?
Ans. In Sonnet 73 the time of the year suggested by the poet is late-autumn, when the leaves of the tree turn yellow before falling down. It suggests that the poet has been old and has reached the fag end of his life.
āĻāύ āϏāύā§āĻ āϏā§āĻā§āύā§āĻāĻŋ-āĻĨā§āϰāĻŋ āĻĻā§āϝ āĻāĻžāĻāĻŽ āĻ
āĻ āĻĻā§āϝ āĻāϝāĻŧāĻžāϰ āϏāĻžāĻā§āϏā§āĻā§āĻĄ āĻŦāĻžāĻ āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻ āĻāĻ āϞā§āĻ-āĻ
āĻāĻžāĻŽ, āĻšā§āϝāĻŧā§āύ āĻĻā§āϝ āϞāĻŋāĻāϏ āĻ
āĻ āĻĻā§āϝ āĻā§āϰāĻŋ āĻāĻžāϰā§āύ āĻāϝāĻŧā§āϞ⧠āĻŦāĻŋāĻĢā§āϰ āĻĢāϞāĻŋāĻ āĻĄāĻžāĻāύāĨ¤ āĻāĻ āϏāĻžāĻā§āϏā§āĻāϏ āĻĻā§āϝāĻžāĻ āĻĻā§āϝ āĻĒā§āϝāĻŧā§āĻ āĻšā§āϝāĻžāĻ āĻŦāĻŋāύ āĻāϞā§āĻĄ āĻ
ā§āϝāĻžāύā§āĻĄ āĻšā§āϝāĻžāĻ āϰāĻŋāĻāĻĄ āĻĻā§āϝ āĻĢā§āϝāĻžāĻ āĻāύā§āĻĄ āĻ
āĻ āĻšāĻŋāĻ āϞāĻžāĻāĻĢāĨ¤
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āĻāĻĒāϏāĻāĻšāĻžāϰ
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